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The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged.,

“We’ll play there’s a strike in the saw-mills, Dutchy, and this is scab labor,” Billy excused amiably. And for a fact the white cotton string carried the messages quite safely from the “Front,” where Jimmy and George laid out the “line” over wonderful grades, across impossible gorges; and “wired” back for further orders. Harry Potter was the operator at the “Front,” and Vilette,—“Women do operate, you know,” she said,—Vilette was the proud holder of “the key” at Headquarters, where Clarence Hammond strutted around as Messenger; and because he was the “son of the Boss,” bullied his Cousin Harry unmercifully.,

The dutiful husband drew from his pocket a long slip of paper and a small stubby pencil. Having a poor memory, he had formed the habit of making a note of everything his wife suggested, so that he could fulfill her wishes in future. The notes were plentiful, but they failed in some unaccountable way to prod his memory.,

“Oh Miss Gordon,” cried Betty suddenly roused to fresh interest, “you must see my pet turkey after supper. He has only one eye an’ he walks corner ways an’ his name is Job an’ I jist love him.” Betty’s breath was all used up and she sat back exhausted.

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The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous.,

“Mosey, ef I darn yer socks fer a month would you let me hev’ two bits?”,

Though these and similar remarks seemed rather personal no resentment was felt by anybody.,

“She’d like fust-rate to come, but Glory be! She’d want ter fetch her pet turkey and Jethro.”