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“I b’lieve Moses’ll eat jelly-roll some day till he rolls up hisself. I’m orful hungry, can I hev some fresh bread?” Lila Williams, with her dark curls falling over a pale blue gingham dress, stood watching the proceedings with impatience. She was yearning to burst into speech. As soon as St. Elmo’s cries were reduced to intermittent gum-droppy sobs she turned to Betty, and looking up trustfully into her brown eyes, she launched forth. “What else did they do ’sides dancing, Betty?” questioned St. Elmo..

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“This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.” The man faced her abruptly. “The devil he knows!” She took a step, but he caught her hand. “I don’t care if I am, he mustn’t see—no one must,—I didn’t mean you should. Besides, I walked home and brought my wheel; I’ll live, I guess,—I’m too mean to kill.” He put his stiff, swollen hand over his face. “It’s Jimmy that’s in danger.” A new note of terror came into his voice as he remembered the pale face and limp arm; he had never seen a fighting boy look so before. “I’m afraid Jimmy’s hurt inside, mother. What if he should die?” Billy had the excitable musical temperament. He spent his forces lavishly, and it was because of this that he was a leader; could think and act quickly in emergencies, as when he saved the operetta from failure. Edith and her mother knew that he had lived hard through the past few weeks, that next to Edith herself he had carried the entertainment, though Jean had been a host also. So it pleased Mrs. Bennett that afternoon to see Billy start off alone for the country..