"Then, upon my honor, it's only you who make it so!" Her perversity was distinctly too much for him. "I mean you make it so by the way you keep me off." So the young man, following her attentively, appeared equally to feel. "So far as that goes," he promptly declared, "she has at last tired Mona out." He uttered the words with a strange approach to hilarity.!

"To save you? I see. You mean I must get rid of her for you." His blankness showed for a little that he felt the chill of her cold logic; but as she waited for his rejoinder she knew to which of them it cost most. He gasped a minute, and that gave her time to say: "You see, Mr. Owen, how impossible it is to talk of such things yet!" "Oh, she thinks they're all right!"

Mrs. Gereth met fully what this conveyed; with decision she pushed in the telegram. But she laid her hand quickly upon another form and with still greater decision wrote another message. "From me, this," she said to Fleda when she had finished: "to catch him possibly at Poynton. Will you read it?" Fleda was silent a moment. "Perhaps that displeased her," she at last suggested. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"