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Paul Rodney, true to his word, has put in an appearance, much to the amazement of many in the room. Almost as Mona's dance with Nolly is at an end, he makes his way to her, and asks her to give him the next. Unfortunately, she is not engaged for it, and, being unversed in polite evasions, she says yes, quietly, and is soon floating round the room with him. She turns through a broken gap into a ploughed field, and breaks into a quick run. "Why do you accuse me of such a desire?" asks he, paling beneath her indignation, and losing courage because of the unshed tears that are gleaming in her eyes..
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"How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more." "Now this day we have seen a strange thing," said her bull husband. "The people's medicine is strong. He whom we trampled to death, whom our hoofs cut to pieces and mixed all up with the soil, is alive again. Now you shall go to your home, but before you go we will teach you our dance and our song. Do not forget them." No sooner thought than done! Laying his gun carefully upon the ground, he looks around him to see by what means he shall gain possession of this lucky fern which is growing, deeply rooted in its native soil, far above him. "He isn't!" says Geoffrey, panting "I have him at last!" Whereupon he emerges from a wilderness of ferns, drawing after him and holding up triumphantly to the light the wandering bird, that looks more dead than alive, with all its feathers drooping, and its breath coming in angry cries..
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