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"Me hands are a bit unsteady," said Harry, quickly. "We'll l'ave the light be as ut is, Billy." "No, sir, I must be content to stop on deck. It is about twenty years ago since I was on the sea. I crossed from Dover to Calais. We were two days terribly tossed about, and almost lost upon some sands. I lay dreadfully ill all the time, and on our arrival at Calais, when I had strength to speak, I said to papa: 'We must return by the sea, it is true, to get home, but once I am at home, I will never more put my foot into a ship.'" "Well," said Mr Eagle, "I'm for leaving these 'ere coils on the pin until the time comes for chucking the fakes down and lettin' go, by which I mean I'm for waitin' until the Capt'n calls the 'ands aft and reads to 'em the sealed orders he told me about. It'll be time enough to speak up when we know what Captain Acton's instructions to him are.".
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At the sound of his voice the old horse stood still. "Thomas," cried the rider sternly, "did I command you to halt?" He was a medium sized man, with brown wavy hair and a beard which failed to conceal the glad boyishness of a face that would never quite be old. The eyes he turned upon the woman when she sharply spoke his name were blue and tranquil. This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation. "What! Tonight?".
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