"And how does she take it?" Fleda was silent; the worst of it all was that there was something unspoken between them. Neither of them dared to utter it, but the influence of it was in the girl's tone when she returned at last, with great gentleness: "Don't be harsh to me—I'm very unhappy." The words produced a visible impression on Mrs. Gereth, who held her face averted and sent off through the window a gaze that kept pace with the long caravan of her treasures. Fleda knew she was watching it wind up the avenue of Poynton—Fleda participated indeed fully in the vision; so that after a little the most consoling thing seemed to her to add: "I don't see why in the world you take so for granted that he's, as you say, 'lost.'"!

As the days passed, however, it became plainer to Fleda that her only chance of success would be in lending herself to this low appearance. Then, moreover, at last, her nerves settling the question, the choice was simply imposed by the violence done to her taste—to whatever was left of that high principle, at least, after the free and reckless meeting, for months, of great drafts and appeals. It was all very well to try to evade discussion: Owen Gereth was looking to her for a struggle, and it wasn't a bit of a struggle to be disgusted and dumb. She was on too strange a footing—that of having presented an ultimatum and having had it torn up in her face. In such a case as that the envoy always departed; he never sat gaping and dawdling before the city. Mrs. Gereth, every morning, looked publicly into "The Morning Post," the only newspaper she received; and every morning she treated the blankness of that journal as fresh evidence that everything was "off." What did the Post exist for but to tell you your children were wretchedly married?—so that if such a source of misery was dry, what could you do but infer that for once you had miraculously escaped? She almost taunted Fleda with supineness in not getting something out of somebody—in the same breath indeed in which she drenched her with a kind of appreciation more onerous to the girl than blame. Mrs. Gereth herself had of course washed her hands of the matter; but Fleda knew people who knew Mona and would be sure to be in her confidence—inconceivable people who admired her and had the privilege of Waterbath. What was the use therefore of being the most natural and the easiest of letter-writers, if no sort of side-light—in some pretext for correspondence—was, by a brilliant creature, to be got out of such barbarians? Fleda was not only a brilliant creature, but she heard herself commended in these days for new and strange attractions; she figured suddenly, in the queer conversations of Ricks, as a distinguished, almost as a dangerous beauty. That retouching of her hair and dress in which her friend had impulsively indulged on a first glimpse of her secret was by implication very frequently repeated. She had the sense not only of being advertised and offered, but of being counseled and enlightened in ways that she scarcely understood—arts obscure even to a poor girl who had had, in good society and motherless poverty, to look straight at realities and fill out blanks. "She was stored in an empty barn—stuck away for a sale; a matter that, fortunately, I've had neither time nor freedom of mind to arrange. I've simply, in my extremity, fished her out again."

"Oh, I don't mean with all the things here," he explained in regard to the opinion he had just expressed. "I mean I could put up with it just as it was; it had a lot of good things, don't you think? I mean if everything was back at Poynton, if everything was all right." He brought out these last words with a sort of smothered sigh. Fleda didn't understand his explanation unless it had reference to another and more wonderful exchange—the restoration to the great house not only of its tables and chairs, but of its alienated mistress. This would imply the installation of his own life at Ricks, and obviously that of another person. Such another person could scarcely be Mona Brigstock. He put out his hand now; and once more she heard his unsounded words: "With everything patched up at the other place, I could live here with you. Don't you see what I mean?" "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. When, as criticism deepened, Fleda dropped the suggestion that some people would perhaps see something in Mona, Mrs. Gereth caught her up with a groan of protest, a smothered familiar cry of "Oh, my dear!" Mona was the eldest of the three, the one Mrs. Gereth most suspected. She confided to her young friend that it was her suspicion that had brought her to Waterbath; and this was going very far, for on the spot, as a refuge, a remedy, she had clutched at the idea that something might be done with the girl before her. It was her fancied exposure at any rate that had sharpened the shock; made her ask herself with a terrible chill if fate could really be plotting to saddle her with a daughter-in-law brought up in such a place. She had seen Mona in her appropriate setting and she had seen Owen, handsome and heavy, dangle beside her; but the effect of these first hours had happily not been to darken the prospect. It was clearer to her that she could never accept Mona, but it was after all by no means certain that Owen would ask her to. He had sat by somebody else at dinner, and afterwards he had talked to Mrs. Firmin, who was as dreadful as all the rest, but redeemingly married. His heaviness, which in her need of expansion she freely named, had two aspects: one of them his monstrous lack of taste, the other his exaggerated prudence. If it should come to a question of carrying Mona with a high hand there would be no need to worry, for that was rarely his manner of proceeding.