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"Well, Etwald," cried the major, when he saw the tall form of the doctor at the door, "have you seen him?" Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh. "There," said Jen, pointing to the inanimate form of his old servant. "He is asleep or dead.".
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Conrad
Etwald came immediately from Deanminster in company with Arkel, whom this last extraordinary event took entirely by surprise. He questioned Sampson--the young policeman left in charge--he searched the chamber of death, stepped out of the window and across the lawn toward the belt of laurels which divided the lawn from a winding and tortuous lane. This, a tenebrous pathway even in the noonday, slipped eel-like through darkling trees to emerge into the high road a quarter of a mile away. Arkel was so long absent that Jen could only surmise that he had gone into this outward darkness, and on the inspector's return it appeared that the major was right in his conjecture. Furthermore Arkel brought back certain news. David looked up quickly. Elinor sat looking at him with her eyes shining, and then she drew a quick breath. "And in accusing Battersea I go only on your own premises. You said that the man who stole the devil-stick, who had it in his possession, must be the guilty person. You see the devil-stick there." She pointed to the table. "Well, I obtained that from Battersea.".
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