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RED ROBE'S DREAM "This day week, then," he says, having heard, and taken to heart the wisdom of, the old maxim about striking while the iron is hot. "Free-and-easy-going would be a more appropriate term, from all I have heard.".

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"Ah! now, I have disturbed you," says Mrs. Geoffrey, pathetically, to whom lovers are a rare delight and a sacred study. "How stupid of me! Sure you needn't have come out, when you knew it was only me. And of course he wants you, poor dear fellow. I thought you were in the small drawing-room, or I shouldn't have called you at all." She laughs again with fresh delight at her own thought. That pig in the cabin has come back to her, filling her with amusement. Geoffrey regards her with puzzled eyes. What a strange temperament is this, where smiles and tears can mingle! "Well, Violet was crying (not loudly, you know, but quite comfortably): so then I thought I had been mistaken, and that probably she had a toothache, or a headache, or something, and that the foregoing speech was mere spooning; and I rather lost faith in the situation, when suddenly he said, 'Why do you cry?' And what do you think was her answer? 'Because I am so happy.' Now, fancy any one crying because she was happy!" says Mr. Darling, with fine disgust. "I always laugh when I'm happy. And I think it rather a poor thing to dissolve into tears because a man asks you to marry him: don't you, Mrs. Geoffrey?" It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips..