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It is growing dusk; "the shades of night are falling fast," the cold pale sun, that all day long has cast its chill October beams upon a leafless world, has now sunk behind the distant hill, and the sad silence of the coming night hath set her finger with deep touch upon creation's brow. "There! take it. I can be generous too." "It seems horrible to me that Mona should be on friendly terms with your enemy," says Geoffrey, passionately..

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Mona, turning, confronts the frightened group in the corner, both men and women, with a face changed and aged by grief and indignation. When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good. "No. Of course I remember you now," says Mona, taking all this nonsense as quite bona fide sense in a maddeningly fascinating fashion. "How unkind I have been! But I was listening to the music, not to our introduction, when Sir Nicholas brought you up to me, and—and that is my only excuse." Then, sweetly, "You love music?" After Kŭt-o-yĭs´ had looked about the lodge he put his eye to a hole in the lodge-covering and looked out. Then he turned around and said to the old people, "How is it that in this lodge there is nothing to eat? Over by the other lodge I see plenty of food hanging up.".