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"That isn't her name at all," says Geoffrey. "My father was a baronet, you know: she is Lady Rodney." "Impossible is a word only to be found in the dictionary of fools. You are not a fool. This is a mere fad of yours and I think you hardly know why you are insisting on it." All these evidences of affection Violet notices in a dreamy, far-off fashion: she is the happier because of them; yet she only appreciates them languidly, being filled with one absorbing thought, that dulls all others. She accepts the chair, the compliment, and the tea with grace, but with somewhat vague gratitude..
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Conrad
"If there are any," repeats she, unmoved. "How odd Nolly is at times!" says Violet, yet without any very great show of surprise. She is still wrapped in her own dream of delight, and is rather indifferent to objects in which but yesterday she would have felt an immediate interest. "But, Nicholas, what was his story about? He seems quite determined not to impart it to me." "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not. "It was only a little touch of nature," explains her Grace. "On that congratulate yourself. Nature is at a discount these days. And I—I love nature. It is so rare, a veritable philosopher's stone. You only told me what my glass tells me daily,—that I am not so young as I once was,—that, in fact, when sitting next pretty children like you, I am quite old.".
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