It was the woman’s feebleness that irritated her. If only she had shown a spark of fight, Joan could have been firm. Poor feckless creature, what could have ever been her attraction for Phillips! “What do you think of him?” he said, without looking at her.!

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” She examined Joan awhile in silence. “Are you on the stage?” she asked.

“Are you sure it is?” he answered. “It would be so unreasonable.” “Oh, it isn’t that,” he answered. “But she’s frightened. You know. Says life with me is going to be a bit too uncertain for her. Perhaps she’s right.” There were the others. The men and women not in the lime-light. The lone, scattered men and women who saw no flag but Pity’s ragged skirt; who heard no drum but the world’s low cry of pain; who fought with feeble hands against the wrong around them; who with aching heart and troubled eyes laboured to make kinder the little space about them. The great army of the nameless reformers uncheered, unparagraphed, unhonoured. The unknown sowers of the seed. Would the reapers of the harvest remember them?