"I call this beastly mean," says Mr. Darling to Geoffrey in an indignant aside. "You all gave your oaths to secrecy before I began, and now you are determined to betray me, I call it right-down shabby. And I sha'n't forget it to any of you, let me tell you that.",
But Mīka´pi's helpers were not far off. It was at the very verge of a high cut wall overhanging the river that Mīka´pi fell, and even as the Snakes shouted he rolled over the brink into the dark rushing water below. The Snakes ran along the edge of the river, looking into the water, with bent bows watching for the enemy's head or body to appear, but they saw nothing. Carefully they looked along the shores and sandbars; they did not find him.,
"'Tis I've bin prayin' for ye," says Biddy, taking her mistress's hand and kissing it fondly. "On me bended knees I was with the blessid beads for the last two hours. An' shure I've had me reward, now I see ye safe home agin. But indeed, Miss Mona, 'tis a sore time I've had uv it.",
It is in Geoffrey's eyes a very curious room, unlike anything he has ever seen before; yet it possesses for him (perhaps for that very reason) a certain charm. It is uncarpeted, but the boards are white as snow, and on them lies a fine sprinkling of dry sand. In one of the windows—whose panes are diamond-shaped—two geraniums are in full flower; upon the deep seat belonging to the other lie some books and a stocking half knitted.
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It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——,
"You terrify me," says Geoffrey, with a grimace. "You think, then, that Mona is pretty?",
It revives him somewhat. And presently the intenser pallor dies away, and speech returns to him.,
It is in the spring—so we have been told—that "a young man's fancy lightly turns to thoughts of love;" yet it is in the autumn that our young man takes to this pleasing if somewhat unsatisfactory amusement.
Once, a long time ago, the antelope and the deer happened to meet on the prairie. They spoke together, giving each other the news, each telling what he had seen and done. After they had talked for a time the antelope told the deer how fast he could run, and the deer said that he could run fast too, and before long each began to say that he could run faster than the other. So they agreed that they would have a race to decide which could run the faster, and on this race they bet their galls. When they started, the antelope ran ahead of the deer from the very start and won the race and so took the deer's gall.
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"Where do you get your music?" asks Geoffrey, idly, wondering how "London Bridge" has found its way to this isolated spot, as he thinks of the shops in the pretty village near, where Molloy and Adams, and their attendant sprite called Weatherley, are unknown.
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"Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?"
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"It entirely depends on what you consider a lady," says Geoffrey, calmly, keeping his temper wonderfully, more indeed for Mona's sake than his own. "You think a few grandfathers and an old name make one: I dare say it does. It ought, you know; though I could tell you of several striking exceptions to that rule. But I also believe in a nobility that belongs alone to nature. And Mona is as surely a gentlewoman in thought and deed as though all the blood of all the Howards was in her veins."
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>She says this in such perfect good faith that Mr. Rodney roars with laughter.
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