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"I daresay it can be," said Isabella, quietly. "Come up to the house, major, and speak to Dido. I feel sure she can explain." "Yis," said the negress, coldly; "de great massa told me to do dat." CHAPTER X THE PRIZE DESIGNS.

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Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully. Major Jen wriggled uneasily in his seat, and carefully knocked the ash off his cigar. He disliked telling what appeared to him to be a silly story, but as such story bore strongly upon the present position of things, and as Maurice was impatiently waiting to be enlightened, Jen was forced to put his scruples on one side and speak out. "No," murmured Mrs. Dallas, sinking into a large chair. "You are right. I have been in the sun all the morning, and only now am I beginning to feel warm, I shall certainly go back to Barbadoes." "Fellows were in a hurry," he explained good-naturedly, as he shook hands with a grip that made her wince. "Couldn't keep you girls waiting, anyway. Hullo, Elinor, how's the artist lady? Hullo, kid, give us your paw. Don't need to ask you how you are—you look out of sight.".