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The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising. “Let us keep the wheat an’ roses For a horror-stricken moment no one spoke. Even the dumb creatures were still; and Buzz, thinking it all for his benefit, watched open-mouthed for the next act in the play..

“Moses, ef you hev finished yer supper, change yer good clothes an’ go git the cows,” directed his mother. “Betty run an’ fasten up the hens, else the coyotes’ll git them.”I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was CHAPTER VI “THE TRIUMPH OF FLORA”

“So they took up Joner an’ tossed him inter the sea.” From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics. “An’ was the pore little feller lookin’ fer Joner?” said Mrs. Wopp. She spoke pityingly, yet she could not avoid some slight feeling of satisfaction over this evident tribute to her powers of biblical narrative. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother..