Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.
desibp, But May Nell recovered almost before Mrs. Bennett had time to lift her. “I often do—do—faint,” she apologized, “it isn’t—isn’t ’t all dangerous.” She smiled at Mrs. Bennett, and the smile, the sweet, pale little face with her hair a shining golden halo around it, made of her an ethereal being almost unreal to the awestricken children. Yet she was soon merry again, apparently as well as ever.
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desibp He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform..
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