“You will find her changed,” she said. “Mentally, I mean. Though she will try not to show it. She was dying for your sake—to set you free. Hilda seems to have had a talk with her and to have spared her no part of the truth. Her great love for you made the sacrifice possible and even welcome. It was the one gift she had in her hands. She was giving it gladly, proudly. So far as she was concerned, it would have been kinder to let her make an end of it. But during the last few days I have come to the conclusion there is a law within us that we may not argue with. She is coming back to life, knowing you no longer want her, that she is only in the way. Perhaps you may be able to think of something to say or do that will lessen her martyrdom. I can’t.” “But he won’t be able to do his work if you keep away and never come back to him,” she persisted. “Oh, I know it. It all depends upon you. He wants you.”!

“No. Not since about a month,” she answered. “Why?” “I am only at the end of a journey when you need me,” he had answered, and they had kissed. And next morning she returned to her own life.

“I wish I had your pen,” he said, suddenly breaking the silence. “I’m all right at talking; but I want to get at the others: the men and women who never come, thinking it has nothing to do with them. I’m shy and awkward when I try to write. There seems a barrier in front of me. You break through it. One hears your voice. Tell me,” he said, “are you getting your way? Do they answer you?” “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” It was Mrs. Munday, poor soul, who all unconsciously had planted the seeds of disbelief in Joan’s mind. Mrs. Munday’s God, from Joan’s point of view, was a most objectionable personage. He talked a lot—or rather Mrs. Munday talked for Him—about His love for little children. But it seemed He only loved them when they were good. Joan was under no delusions about herself. If those were His terms, well, then, so far as she could see, He wasn’t going to be of much use to her. Besides, if He hated naughty children, why did He make them naughty? At a moderate estimate quite half Joan’s wickedness, so it seemed to Joan, came to her unbidden. Take for example that self-examination before the cheval glass. The idea had come into her mind. It had never occurred to her that it was wicked. If, as Mrs. Munday explained, it was the Devil that had whispered it to her, then what did God mean by allowing the Devil to go about persuading little girls to do indecent things? God could do everything. Why didn’t He smash the Devil? It seemed to Joan a mean trick, look at it how you would. Fancy leaving a little girl to fight the Devil all by herself. And then get angry because the Devil won! Joan came to cordially dislike Mrs. Munday’s God.