"Ah, all the while you cared?" Owen read the truth with a wonder so great that it was visibly almost a sadness, a terror caused by his sudden perception of where the impossibility was not. That made it all perhaps elsewhere. "If he went," Fleda asked, "doesn't that exactly prove that he recognized one?"!

"It's none of their business, is it?" was Owen's unexpected rejoinder. Fleda had already noted that no one so slow could ever have had such rapid transitions. Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!"

"It's she who has reopened them with me. I got her letter this morning. She told me you were here and that she wished me to know it. She didn't say much; she just gave me your address. I wrote her back, you know, 'Thanks no end. Shall go to-day.' So we are in correspondence again, aren't we? She means of course that you've something to tell me from her, eh? But if you have, why haven't you let a fellow know?" He waited for no answer to this, he had so much to say. "At your house, just now, they told me how long you've been here. Haven't you known all the while that I'm counting the hours? I left a word for you—that I would be back at six; but I'm awfully glad to have caught you so much sooner. You don't mean to say you're not going home!" he exclaimed in dismay. "The young woman there told me you went out early." Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. "Not in any way?"