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At this Mona turns her gaze secretly upon him. She studies his hair, his gray eyes, his irregular nose,—that ought to have known better,—and his handsome mouth, so resolute, yet so tender, that his fair moustache only half conceals. The world in general acknowledges Mr. Rodney to be a well-looking young man of ordinary merits, but in Mona's eyes he is something more than all this; and I believe the word "ordinary," as applied to him, would sound offensive in her ears.,

To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all.,

As soon as he had gone they began to talk about this strange person. They were afraid of him and did not know what to do. The children began to cry, and the women tried to quiet them. Presently the young man came back, bringing some meat.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home."

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"I don't think I shall," says Geoffrey, in a low tone.,

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At this moment one of the pigeons—a small, pretty thing, bronze-tinged—flies to her, and, resting on her shoulder, makes a tender cooing sound, and picks at her cheek reproachfully, as though imploring more corn.,

She stands away from him, and looks at him with a face so pale, yet so earnest and intense, that he feels it will be unwise to argue further with her just now. So instead he takes both her hands and draws her to his side again.