“So you wanted to see it with your own eyes,” he said. He laid his hand upon her shoulder, and she had some difficulty in not catching hold of him and clinging to him. She was feeling absurdly womanish just at that moment. “Yes,” answered Joan with a laugh. “They were pretty awful, some of them.”!

“No,” he answered. “She wrote me a beautiful letter that I shall always keep, begging me to forgive her, and hoping I might be happy. She had married a young farmer, and was going out to Canada. My mother will never allow her name to be mentioned in our house.” And suddenly—as years before in a Paris music hall—there leapt to life within Joan’s brain a little impish creature that took possession of her. She hoped the miracle would not happen. The little impish creature within her brain was marching up and down beating a drum. She wished he would stop a minute. Someone was trying to talk to her, telling her she ought to be tremendously shocked and grieved. He—or she, or whatever it was that was trying to talk to her, appeared concerned about Reason and Pity and Universal Brotherhood and Civilization’s clock—things like that. But the little impish drummer was making such a din, she couldn’t properly hear. Later on, perhaps, he would get tired; and then she would be able to listen to this humane and sensible person, whoever it might be.

After the war was over and the men, released from their long terms of solitary confinement, came back to life injured in mind and body, she was almost glad he had escaped. But at the time it filled her soul with darkness. Joan took him into her room at the end of the ward, from where, through the open door, she could still keep watch. They spoke in low tones. They remained confused in her memory, these talks among the wounded men in the low, dimly lighted hut that had become her world. At times it was but two men speaking to one another in whispers, at others every creaking bed would be drawn into the argument.