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In the hours of joy that followed, joy known only to boys and farms in conjunction, Billy,—and it was unusual for him,—more than once recalled his mother’s words; heeded them to the extent of bidding Harold a reluctant good-bye when the sun was still blazing high above the horizon. But when, on his way home, he came to the branching of the road his good resolution weakened. He looked back. The sun was surely more than an hour high. He would have time to go up the hill road to the “Ha’nt.” And, beside that, he wished to look at the river where its divided flow encircled a tiny, shrub-grown island. In the midst of these reflections, the trombone player of the orchestra came to him. Had he but dreamed on for an hour or so he would have returned, rested, refreshed, the cheery boy that helped to make the Bennett house a home. But a voice in the road above startled him. Only a word was spoken, a greeting; but it was surly and foreign, Italian..
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It took two hands to hold the dog’s mouth shut now; and for a minute that Billy thought much longer, it seemed as if he never would be able to make him keep quiet. But he succeeded at last, and turned again to see May Nell standing in full view with her finger on her lips. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. “What new trick has Flash been up to?” “Put her in my room and give me the Fo’castle; I’ve always wanted to bunk there.”.
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