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It was almost dark when he reached the little log sugar-shanty which housed his pets. He had hidden a lantern in a hollow log against such night visits as this and he paused to draw it out and light it before proceeding to the menagerie. As he rounded the shanty, whistling softly, and anticipating how glad Spotba, Moper, the owl, and all the other wild inmates would be to see him, he paused suddenly, and the whistle died on his lips. Somebody had been snooping about his menagerie! The prop had been taken from the door. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "Of the Norfolk Fellowes?" enquired Captain Acton, after bows and smiles had been exchanged. CHAPTER XIV THE LOUISA ANN.