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"You are worn out, my love, my sweetheart," says Geoffrey, very tenderly, speaking to her as though she is in years the child that, in her soul, she truly is. "Come, Mona, you will not cry on this night of all others that has made me yours and you mine! If this thought made you as happy as it makes me, you could not cry. Now lift your head, and let me look at you. There! you have given yourself to me, darling, and there is a good life, I trust, before us; so let us dwell on that, and forget all minor evils. Together we can defy trouble!" Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. "And your brother?".
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Then Napi set out to find where the game was, and with him went a young man, the son of a chief. For many days they travelled over the prairies. They could see no game; roots and berries were their only food. One day they climbed to the crest of a high ridge, and as they looked off over the country they saw far away by a stream a lonely lodge. It is quite too much for the Æsthetic. "Mona, it has all been too much for you," exclaims he, with deep concern. Then she rises upon her elbow, and notices how the light comes through the chinks of the shutters. It must be day indeed. The dreary night has fled affrighted; the stars hide their diminished rays. Surely.
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