One evening, on her way home from a theatre, she met Flossie. “Can’t stop now,” said Flossie, who was hurrying. “But I want to see you: most particular. Was going to look you up. Will you be at home to-morrow afternoon at tea-time?” “You mean,” answered Joan quietly, “that if I had let your mother die and had married your father, that he and I would have loved each other to the end; that I should have helped him and encouraged him in all things, so that his success would have been certain. Is that the argument?”!

“Who is the true soldier? He who has put away self. His own ease and comfort, even his own needs, his own safety: they are but as a feather in the balance when weighed against his love for his comrades, for his country. The true soldier is not afraid to love. He gives his life for his friend. Do you jeer at him? Do you say he is a fool for his pains? No, it is his honour, his glory.” “I always was a one for cheerful colours,” explained Mrs. Phillips.

“I want to prove to myself,” she explained, “that I am capable of earning my own living. I am going down into the market-place. If I’m no good, if I can’t take care of even one poor woman, I’ll come back and ask you to keep me.” She was sitting on the arm of his chair, and laughing, she drew his head towards her and pressed it against her. “If I succeed, if I am strong enough to fight the world for myself and win, that will mean I am strong enough and clever enough to help others.” It was half-past five when she sat down with her tea in front of her. It was only ten minutes’ walk to Charing Cross—say a quarter of an hour. She might pick up a cab. She grew calmer as she ate and drank. Her reason seemed to be returning to her. There was no such violent hurry. Hadn’t she better think things over, in the clear daylight? The woman had been ill now for nearly six weeks: a few hours—a day or two—could make no difference. It might alarm the poor creature, her unexpected appearance at such an unusual hour—cause a relapse. Suppose she had been mistaken? Hadn’t she better make a few inquiries first—feel her way? One did harm more often than good, acting on impulse. After all, had she the right to interfere? Oughtn’t the thing to be thought over as a whole? Mightn’t there be arguments, worth considering, against her interference? Her brain was too much in a whirl. Hadn’t she better wait till she could collect and arrange her thoughts? It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.