“That’s the pity of it,” he said. “You’re wasting the most important thing about you, your personality. You would do more good in a drawing-room, influencing the rulers, than you will ever do hiding behind a pen. It was the drawing-room that made the French Revolution.” “I always come prepared to these scrimmages,” she explained. “I’ve got some Hazeline in my bag. They haven’t kicked you, have they?”!

She very much wanted to look at him, but she would not. It seemed to her quite a time before he replied. They remained confused in her memory, these talks among the wounded men in the low, dimly lighted hut that had become her world. At times it was but two men speaking to one another in whispers, at others every creaking bed would be drawn into the argument.

In the day-time, when Arthur and her father were at the works, she would move through the high, square, stiffly-furnished rooms, or about the great formal garden, with its ordered walks and level lawns. And as with knowledge we come to love some old, stern face our childish eyes had thought forbidding, and would not have it changed, there came to her with the years a growing fondness for the old, plain brick-built house. Generations of Allways had lived and died there: men and women somewhat narrow, unsympathetic, a little hard of understanding; but at least earnest, sincere, seeking to do their duty in their solid, unimaginative way. Perhaps there were other ways besides those of speech and pen. Perhaps one did better, keeping to one’s own people; the very qualities that separated us from them being intended for their need. What mattered the colours, so that one followed the flag? Somewhere, all roads would meet. “Unless it all comes right in the end,” she added musingly; “and the poor old soul pegs out. I wouldn’t give much for her liver.” “I’m sure I am,” she said. “Make home-coming a change to him. As you said yourself the other evening. It’s good for him to get away from it all, now and then.”