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At the door of the Crump household, Moses stood before the daughter of the house who answered the bell, burning hot with the fever of an overwhelming embarrassment. His body glowed so that steam might have been seen arising from his dripping garments. He almost yearned for incarceration in an ice-house. His personal pulchritude had not been enhanced by the experience and the critical eyes of the young girl failed to express any degree of admiration or sympathy. More than ever Moses longed for the encircling arms of Betty. Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing. May Nell looked at him with wide eyes. She saw that he was not a vineyard workman, his clothes were too fine. She did not see them in detail, the large checked trousers, the shiny gloves, and the big diamond, but she felt instinctively that one who could dress so was different from the men she knew. And the look in his face made her cold..
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“La now! An’ why do you say that, my dear?” inquired Mrs. Wopp. “Set up straight, Moses, yer back looks like you was packin’ a sack of pertaters.” The bun in question must have had great dynamic force, the tail of Jethro bearing evidence to the internal power generated. As the story became more intelligible to childish apprehension, several bright pairs of eyes rested on the teacher. “Then,” continued Mrs. Wopp, “the sailors carst lots to see who should be throwed orf the ship, an’ the lot fell on Joner.” “Oh, my conscience! That isn’t any matter. All the grandest actors have the dying parts; and they die gloriously; and the audience claps and claps and claps; and the curtain goes up, and they all come out alive again and bow and smile; and you eat some candy and don’t cry any more.”.
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