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This small boy seemed to accept the limitations of his lot with a Micawber-like philosophy. Indeed it may easily have escaped his youthful notice, that there were persons in the world who did not have to spend a day in bed while their clothing was being washed. To Mannel a second set of garments, even of so simple a character as those he constantly wore, would have seemed untold wealth.,

“Can you drive?” he asked, anxiously, as he unhitched the horse. He noticed with a second sinking feeling that Jimmy’s face twitched with pain, that his right arm hung limp.,

“She said, the Queen of Sheba did, that I’d be in danger, and some one would save me. And I’d have a s’prise, and a hus—husband, and fi-five c-chil— children!” She wailed again and hid her face on Mrs. Bennett’s shoulder.,

Betty, feeling that further explanations were worse than useless, submitted to be led to the sink where her energetic foster-mother subjected her to so many soapy treatments that in a few minutes time she emerged very red in the face but purified.

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The boy gave her a squeeze that made her last words come in jerks. “That’s a mean trick to play on a fellow,—chuck such a responsibility on a twelve-year-old. Say I must or I mustn’t, mamma.” He caught her hand and gently tweaked her fingers.,

“I have to help sister, you know.”,

He lifted the board, trying its weight. Could he ever get it safely placed? Higher he lifted it, and began to let it drop; but he saw that if the other end missed the window sill, it would pull him down to the court below. Frantic, he stared about for help, for inspiration. He dared not wait till the passers came in hearing; the sound of his voice calling might too soon rouse men inside, make them shoot perhaps. As it was he expected every minute to see a swarthy face appear, a hand with a knife or pistol. It was not for himself he feared, but for May Nell, the little girl who for some strange reason was worth something to these desperadoes, and whose life would be on his soul if he did not save her.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.