“They were His last words, too,” he answered: “‘My God, my God, why hast Thou forsaken me?’” She very much wanted to look at him, but she would not. It seemed to her quite a time before he replied.!

“I think God must want you very badly,” she said, “or He wouldn’t have laid so heavy a cross upon you. You will come?” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.

They were but children, these tired men and women, just released from their day’s toil, hastening homeward to their play, or to their evening tasks. A little humour, a little understanding, a recognition of the wonderful likeness of us all to one another underneath our outward coverings was all that was needed to break down the barrier, establish comradeship. She stood aside a moment to watch them streaming by. Keen, strong faces were among them, high, thoughtful brows, kind eyes; they must learn to think, to speak for themselves. She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. “I like the articles you are writing on the History of Superstition. Quite illuminating,” remarked Mr. Simson.