"We didn't many of us tell, you know," returned Elinor absently, with her eyes on Morgiana meekly following her master with the basket of fruit which was to be such a feature in her triumphant dance after the robbers had been boiled alive in their own panniers. "There's Margaret Howes. Isn't she lovely in that pomegranate and gold? What queer slippers she has—just like the ballet dancers. And there's Ali Baba with the forty thieves, all the portrait class men in a bunch.",
"There isn't any more goodness in dismal looks, no, nor half so much, as in happy faces. Don't the cherubim sing eternally? Is there anything said about dark days in the New Jerusalem? I'm ashamed of you, Judith Kendall, for not knowing that it's twice as brave and good to be cheerful and pretty as it is to be moping and dull. Look at Elinor—would we love her if she'd been fussing about the hard times we had? Not much! Every bright smile she had for those horrid times has made her more adorable to me and I look on every bit of happiness we had in those poor days as just so much wrested from the powers of darkness." She stopped suddenly, with a little gasp of embarrassment, as Elinor entered.,
Elinor made no reply. Her eyes were fixed on the lovely fading panorama of life that was shifting before them. The twilight, the sunset, and the haunting magic of the miracle play still lingering with them, touched them all into sudden seriousness, and they stood silent and intent, forgetful of the whirl of pleasure and traffic that swept about them..
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