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"You speak like a gentleman to me in this matter, which you do not often do when I refer to it, nor your father neither——", "He was awful interested, an' asked me to show him the fenced-in well. So we took 'cross the fields an' he saw it. He went all around the walls an' even climbed up one side of 'em, an' looked over. When he came down he said: 'Jest as I thought, Billy. That explosion you spoke of was a charge of nitro glycerine.' We struck back fer the road an' I guess he was thinkin' hard, 'cause he didn't talk any more. Then, as we was climbin' the fence to the road he asks: 'What kind of a chap is this man, Hinter, Billy?", Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles..