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"And yet he was a strong man," said Etwald, when he conveyed this intelligence. "He must have been taken by surprise." "How do you like it now?" asked Griffin, as the gong released them for the rest, and they slipped out in the corridor to look for Elinor. "I think it's in the basement," said Elinor dubiously, "but I don't believe we can buy things there. We'd have to go out, anyway, I'm afraid.".

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"Why, it's like a laundry," exclaimed Patricia in disappointment as she looked about her. The low-ceiled whitewashed apartment into which they had descended from the winding iron stair was sepulchrally bare and empty in the flicker of its noisy gas jets, the rusty gas stoves at its farther end emphasizing its general air of desolation. "Oh, go along, Miss Pat! You'll be awfully late," said Judith, wriggling away, flushed and happy. As she spoke a gong sounded from beyond the closed door of a nearby class room; there was sound of movement and subdued voices, then the door swung grudgingly and a number of students of various ages with smudged hands and soiled aprons came straggling out into the dim corridor, laden with canvases and drawings to be stowed in the long line of lockers that stretched on either side of the hallway. "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church.".