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"It was unjust, no doubt; it sounds so," she says, faintly. Yet even as she speaks she closes her little slender fingers resolutely upon the parchment that shall restore happiness to Nicholas and dear pretty Dorothy. "You have never told me how many people are in your house?" says Mona, presently. "Tell me now. I know about your mother, and," shyly, "about Nicholas; but is there any one else?" I would not spend another such a night.
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"Turn it where, darling?" asks she, a little dreamily. "Part of your leg, just below your knee," returns Mr. Darling, undaunted. "Well, when I got up at last, I found a capital place to sit in, with a good branch to my back, and I was so pleased with myself and my exploit that I really think—the day is warm, you know—I fell asleep. At least I can remember nothing until voices broke upon my ear right below me." Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of "It seems horrible to me that Mona should be on friendly terms with your enemy," says Geoffrey, passionately..
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