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Mrs. Wopp viewed with misgiving the ornate writing not yet erased from the previous lesson. She feared her own handwriting would suffer by comparison. “What happened to you, Billy?” she asked when he entered the kitchen. “For a second I was frightened when I went to wake you and found you gone.” Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing..

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“She said, the Queen of Sheba did, that I’d be in danger, and some one would save me. And I’d have a s’prise, and a hus—husband, and fi-five c-chil— children!” She wailed again and hid her face on Mrs. Bennett’s shoulder. He went out. May Nell stared after him, dazed and trembling. When the key turned in the lock she looked around wildly; ran to the window and tried it. It was nailed down. For a second she stood quite still, gazing straight before her. Then the horror of her plight swept over her; she threw herself on the bed, a crumpled little heap, buried her face in the pillow, and sobbed piteously. “Geegustibus! You kids are doin’ a fine job,” Billy encouraged, as he walked by the line of little bending, sweating backs. “There never was a railroad built on the square like this. Contractors on time; men a-workin’ that’s got brains an’ ain’t afraid to use ’em. Jiminy crickets, it’s fine!” One tall, ambitious girl contributed a unique float called, “Lot’s Wife Looking Backward.” She had not been certain of the color for the desert, consequently had made the whole thing, including the wagon, the boys, and herself snowy white. She had copied an old Bible picture, carrying out the idea with sheets, and such liberal doses of flour, that only a heavy dew was needed to turn the float to dough instead of salt. However, the sun shone, and the addition of diamond dust over all made a very realistic picture that Billy praised heartily..