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"What a silly boy you are, Geoff!" says his wife, laughing.,

"Wouldn't they?" says Rodney, leaning on his elbow as the argument waxes warmer; "then all I can say is, I never met any 'other people.'",

For a little while they are silent. He is thinking of Mona; she is wrapped in remembrance of all that has just passed. Presently, looking at her, he discovers she is crying,—bitterly, though quietly. The reaction has set in, and the tears are running quickly down her cheeks.,

Soon an old woman, bent with age and crippled, came from the door and smiled as she saw the two persons coming.

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He made all kinds of animals that travel on the ground. When he made the big-horn with its great horns, he put it out on the prairie. It did not seem to travel easily there; it was awkward and could not go fast, so he took it by one of its horns and led it up into the rough hills and among the rocks, and let it go there, and it skipped about among the cliffs and easily went up fearful places. So Old Man said to the big-horn, "This is the place for you; this is what you are fitted for; the rough country and the mountains." While he was in the mountains he made the antelope, and turned it loose to see how it travelled. The antelope ran so fast that it fell over some rocks and hurt itself. He saw that this would not do, and took the antelope down on the prairie and set it free there, and it ran away fast and gracefully, and he said to it, "This is the place that suits you.",

"Dear Lady Rodney, I shouldn't take that so much to heart," says Violet, gently leaning over her. "Quite good people are Catholics now, you know. It is, indeed, the fashionable religion, and rather a nice one when you come to think of it.",

"Violet, play us something," says Geoffrey, who has quite entered into the spirit of the thing, and who doesn't mind his mothers "horrors" in the least, but remembers how sweet Mona used to look when going slowly and with that quaint solemn dignity of hers "through her steps.",

"How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more."