She sighs. There is pathos and sweetness and tenderness in every line of her face, and much sadness. Her lips are slightly parted, "her eyes are homes of silent prayer." Paul, watching her, feels as though he is in the presence of some gentle saint, sent for a space to comfort sinful earth.,
"You will come, Mona, to oblige the duchess," says Geoffrey, in exactly as even a tone as if the other had never spoken. Not that he cares in the very least about the duchess; but he is determined to conquer here, and is also desirous that all the world should appreciate and admire the woman he loves.,
"I shall do nothing but look at the clock and listen for the sound of the horse's feet."
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Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking.,
"Well, even that awful misfortune might be survived. We can live in our own home 'at ease,' as the old song says, until she comes to her senses. By and by, do you know you have never asked me about your future home,—my own place, Leighton Hall? and yet it is rather well worth asking about, because, though small, it is one of the oldest and prettiest places in the county.",
"Very good, miss; I'm going," says the woman, and with a last touch to the butter she covers it over with a clean wet cloth and moves to the yard door. The two chickens on the threshold, who have retreated and advanced a thousand times, now retire finally with an angry "cluck-cluck," and once more silence reigns.,
Tired at length, and feeling somewhat chilled, Mona rouses herself from her reverie, and, followed by her two faithful guardians, moves towards the staircase. Passing the armored men that stand in niches along the walls, a little sensation of fear, a certain belief in the uncanny, runs through her. She looks in a terrified fashion over her left shoulder, and shudders perceptibly. Do dark fiery eyes look upon her in very truth from those ghastly visors?—surely a clank of supernatural armor smote upon her ear just then!
"Oh, no, I haven't, now," says Rodney, reassuringly "You don't look a bit unhappy; you only look as sweet as an angel."
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For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone.
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It’s a Quan-Yuan
CHAPTER XXXIX.
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"It was true," says Mona: "I was writing letters for Geoffrey."
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>"Because I could not bear to think any one was made unhappy by me. It would seem as though some evil eye was resting on our love," says Mona, raising her thoughtful, earnest eyes to his. "It must be a sad thing when our happiness causes the misery of others."
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