"Well, we have both seen the bay," says Mona, cheerfully,—"Bantry Bay I mean: so we can talk about that. Yet indeed"—seriously—"you cannot be said to have seen it properly, as it is only by moonlight its full beauty can be appreciated. Then, with its light waves sparkling beneath the gleam of the stars, and the moon throwing a path across it that seems to go on and on, until it reaches heaven, it is more satisfying than a happy dream. Do you see that hill up yonder?" pointing to an elevation about a mile distant: "there I sometimes sit when the moon is full, and watch the bay below. There is a lovely view from that spot.",
"And severe-looking? You said she was like you.",
"Oh, dear, no," says Mona, with an emphatic shake of her lovely head. "She hadn't the least little bit of wit in her composition. She was as solemn as an Eng——I mean a Spaniard (they are all solemn, are they not?), and never made a joke in her life, but she was irresistibly comic all the same." Then suddenly, "What a very pretty little woman that is over there, and what a lovely dress!",
All these evidences of affection Violet notices in a dreamy, far-off fashion: she is the happier because of them; yet she only appreciates them languidly, being filled with one absorbing thought, that dulls all others. She accepts the chair, the compliment, and the tea with grace, but with somewhat vague gratitude.
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"She evidently took your advice," says Nicholas.,
To break the calm of Nature:,
"She took her to see the lake. Mona, you know, raves about it, when the moon lights it up.,
Paul turns his head, and as he sees Geoffrey a quick spasm that betrays fear crosses his face.
"Don't go on, miss," says the boy, with much excitement. "Don't ye. I see ye coming', an', no matter what they do to me, I says to myself, I'll warn her surely. They're waitin' for the agint below, an' maybe they might mistake ye for some one else in the dark, an' do ye some harm."
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Developer Response,
Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney!
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"No, I haven't, if that's romance. Of course there was nothing for it but to shut my eyes again and resign myself to my fate. I wonder I'm not dead," says Nolly, pathetically. "I never put in such a time in my life. Well, another quarter of an hour went by, and then I cautiously opened my eyes and looked again, and—would you believe it?"—indignantly,—"there they were still!"
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Meantime, Mona, having danced as long as she desires with this enemy in the camp, stops abruptly before a curtained entrance to a small conservatory, into which he leads her before she has time to remonstrate: indeed, there is no apparent reason why she should.
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Halin-Chen Response,
>"And perhaps, too, the law may be on his side: there is plenty of time yet for a missing will or a—a—useful witness to turn up. That will," says Mona, musingly, "must be somewhere. I cannot tell you why I think so, but I am quite sure it is still in existence, that no harm has come to it. It may be discovered yet."
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