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"Send down to the Farm, and I will give you some brandy," says Mona to a woman standing by, after a lengthened gaze at the prostrate form of Kitty, who makes no sign of life. "She wants it." Laying her hand on Kitty's shoulder, she shakes her gently. "Rouse yourself," she says, kindly, yet with energy. "Try to think of something,—anything except your cruel misfortune." "No, darling, no; I am afraid not," he says, very gently. But for the poor child's tender earnestness and good faith, he could almost have felt some faint amusement; but this offering of hers is to him a sacred thing, and to treat her words as a jest is a thought far from him. Indeed, to give wilful offence to any one, by either word or action, would be very foreign to his nature. For if "he is gentil that doth gentil dedis" be true, Rodney to his finger-tips is gentleman indeed. "The first sound in the song of love.
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To Rodney, last night is one ever to be remembered as being a period almost without end, and as a perfect specimen of how seven hours can be made to feel like twenty-one. On the fourth day after he had been born the child spoke and said to his mother, "Hold me in turn to each one of these lodge poles, and when I come to the last one I shall fall out of my lashings and be grown up." The old woman did as he had said, and as she held him to one pole after another he could be seen to grow; and finally when he was held to the last pole he was a man. Two people, a man and a woman, are standing together some yards from the cabin, whispering and gesticulating violently, as is "their nature to." Lady Rodney, too, is quite happy. Everything has come right; all is smooth again; there is no longer cause for chagrin and never-ending fear. With Paul Rodney's death the latter feeling ceased, and Mona's greatness of heart has subdued the former. She has conquered and laid her enemy low: without the use of any murderous force the walls have fallen down before her, and she has marched into the citadel with colors flying..
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