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The air is full of death and desolation. It is cold and raw, and no vestige of vegetation is anywhere. In the distance, indeed, she can see some fir-trees that alone show green amidst a wilderness of brown, and are hailed with rapture by the eye, tired of the gray and sullen monotony. But except for these all is dull and unfruitful. But to Geoffrey—lest the telling should cause him unhappiness—she had said nothing of her discovery; only when the morning came that saw him depart upon his mission (now so well understood by her), she had kissed him, and told him to "hurry, hurry, hurry back to her," with a little sob between each word. And when he was gone she had breathed an earnest prayer, poor child, that all might yet be well, and then told herself that, no matter what came, she would at least be a faithful, loving wife to him. But the deer began to grumble and said, "Well, it is true that out here on the prairie you have beaten me, but this is not where I live. I only come out here once in a while to feed or to cross the prairie when I am going somewhere. It would be fairer if we had a race in the timber. That is my home, and there I can run faster than you. I am sure of it.".

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"I will come, of course," says Mona, nervously, "but I am afraid she will be disappointed. You will excuse me, Mr. Rodney, I am sure," turning graciously to Paul, who is standing with folded arms in the background. Geoffrey is nowhere just at this moment. Doatie and Nicholas are sitting hand in hand and side by side in the library, discussing their own cruel case, and wondering for the thousandth time whether—if the worst comes to the worst (of which, alas! there now seems little doubt)—her father will still give his consent to their marriage, and, if so, how they shall manage to live on five hundred pounds a year, and whether it may not be possible for Nicholas to get something or other to do (on this subject they are vague) that may help "to make the crown a pound." At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. "You hurt me!" replies he, in a peculiar tone, that is not so peculiar but it fully satisfies her. And then he smiles, and, seeing old Brian has once more returned to the fire and his pipe, and Biddy has gone for fresh water, he stoops over the reddened basin, and, in spite of all the unromantic surroundings, kisses her as fondly as if roses and moonbeams and dripping fountains and perfumed exotics were on every side. And this, because true romance—that needs no outward fire to keep it warm—is in his heart..