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mmyt is On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times. After the Polish refugees, came Colmiche, an old man who was credited with having committed frightful misdeeds in ‘93. He lived near the river in the ruins of a pig-sty. The urchins peeped at him through the cracks in the walls and threw stones that fell on his miserable bed, where he lay gasping with catarrh, with long hair, inflamed eyelids, and a tumour as big as his head on one arm..

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🎮 All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. Then came the rush of years, filled brimming with projects, achievements, and failures; but Typee was not forgotten, and here I was now, gazing at its misty outlines till the squall swooped down and the Snark dashed on into the driving smother. Ahead, we caught a glimpse and took the compass bearing of Sentinel Rock, wreathed with pounding surf. Then it, too, was effaced by the rain and darkness. We steered straight for it, trusting to hear the sound of breakers in time to sheer clear. We had to steer for it. We had naught but a compass bearing with which to orientate ourselves, and if we missed Sentinel Rock, we missed Taiohae Bay, and we would have to throw the Snark up to the wind and lie off and on the whole night—no pleasant prospect for voyagers weary from a sixty days’ traverse of the vast Pacific solitude, and land-hungry, and fruit-hungry, and hungry with an appetite of years for the sweet vale of Typee.!

🏆 It was a change of clothes and a dry and quiet smoke while kai-kai was preparing. Kai-kai, by the way, is the Polynesian for “food” or “to eat,” or, rather, it is one form of the original root, whatever it may have been, that has been distributed far and wide over the vast area of the Pacific. It is kai in the Marquesas, Raratonga, Manahiki, Niuë, Fakaafo, Tonga, New Zealand, and Vaté. In Tahiti “to eat” changes to amu, in Hawaii and Samoa to ai, in Ban to kana, in Nina to kana, in Nongone to kaka, and in New Caledonia to ki. But by whatsoever sound or symbol, it was welcome to our ears after that long paddle in the rain. Once more we sat in the high seat of abundance until we regretted that we had been made unlike the image of the giraffe and the camel. “To-morrow,” Ford said, “I am going to take you out into the blue water.”!

🔥 Download mmyt “Yes,” said I, “and of that beautiful bow.” Yet on the chart it was plainly marked, “Sail Rock.”!🔥