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The second act brought a conflict between elves and gnomes, and the fairies, when first the earth sprites were victorious, but at last the fairies. May Nell was the Fairy Queen, and enchanted all with her beauty, her dancing and singing, and her acting, which was sweetly childish as well as clever. He sprang up, caught her hand, and raced with her down the rocky steep, calling wildly to the men in the wagon as he ran. Bouncer, no longer watched, vented his pent-up excitement in noisy yelps; and above the din Billy heard loud angry words in a foreign tongue that he knew were execrations, commands to return. “Look out! She’s ten, an’ never been to school; but she’s read more things ’n you ’n me put together, Pretty. Knows ’em, too.” Billy introduced the two in characteristic fashion and went within..

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Jethro, lying on a mat at the door, was contentedly gnawing a bone. Nancy, having finished her milk, and still enjoying its flavor from her whiskers, as Betty remarked, stealthily approached her canine playmate. A slight altercation took place concerning the ownership of the bone. It was not long before Jethro walked out of the room, perceptibly toeing in, and probably reflecting that life was too short to wrangle over a bare bone anyway. This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain. Which last order was the signal for a giddy frolic. Finally, “Everybody promenade, you know where,” and the dancers joined the spectators on the benches. “An’ was the pore little feller lookin’ fer Joner?” said Mrs. Wopp. She spoke pityingly, yet she could not avoid some slight feeling of satisfaction over this evident tribute to her powers of biblical narrative..