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What could the unfortunate, infatuated, handsome rascal say? Her appeal was poignant by virtue of her deep distress, the misery of her condition, the insane disposition of her beautiful face, wild and almost white in its shadowing of hair. What could he say to her? His countenance was filled with the confusion of his mind. His heart beat tumultuously with love that raged with its sense of helplessness. These phrases do not exaggerate a state that nothing but the highest form of genius could delineate in its astounding complexity of adoration, despair, horror at the consequences of his own lightly undertaken act, honour that could be no stranger to a valiant nature, and a resolution to persevere and conquer as a consequence of the character that could lay upon its owner's soul this enormous obligation of the betrayal of the girl he worshipped and the man who had stood his friend when the world was sterile, and he must either flee the country or rot in gaol. "Well, I'd rather take a chance with a bear than a ghost, wouldn't you Bill?" One box fruit-crackers..

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"Oh, he'll soon get over it," laughed Billy. "We'll find him waitin' fer us farther on." "He's a mighty fine feller," cried Maurice enthusiastically. Indeed no piece of English landscape could have looked fairer on this fine April morning than Old Harbour Town and its Harbour, and little forefinger of pier; the windmill and the lighthouse resembled carvings, so delicately were their outlines traced against the silver blueness of the spring sky. In the Harbour against the wharves were visible the mounting masts and yards of several craft with sails hanging loose to dry, and the water of the Harbour was dotted with a few squab shapes of smacks and the figure of a moored brig-of-war. This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..