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CHAPTER I LUCY ACTON The old gentleman spoke with sternness, and held his eyes fastened upon his son, who cried: "Oh sir, I am not such a fool as to run any risks with this stroke of fortune." Wilson shook his head. "It's a new pipe," he ventured to say, "and," sniffing the bowl, "it ain't had nuthin' more deadly than dried mullen leaves in it so far. Ain't a great deal of harm in a boy smokin' mullen leaves, shorely, Mary.".

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"Yep; she's cannin' thimble-berries. Jest wait till I get an armful of kindlin', an' I'll go in with you." "Yep, if he can get his price for the timber." Lucy had related much, but she had much more to tell, and she narrated to her father fresh stories of her madness, and drew several graphic pictures of Mr Lawrence whilst he laboured under the various sensations her genius as an untutored artist excited. She spoke with contempt of Mr Eagle, whilst she had little or nothing to say about Mr Pledge. Her narratives were marked by a strong leaning in favour of Mr Lawrence. Her father could not mistake. Her prejudice, indeed her fondness, was expressed not so much in her admirable recitals and her references to the dignified and gentlemanly manner with which Mr Lawrence had treated her, with which he had received her aggravating, indeed her venomous, references to his past and present conduct, as in the pause, the soft, thoughtful smile, the brief exclamation, the sigh, and[Pg 408] now and again the little but significant remark. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles..