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Fight gleamed in the big man’s eye, and for the breath of an instant he hesitated. Billy entered with a cat under each arm. “Geewhillikins,” he introduced, “the best fighter in town,” and put down a stub-tailed, gray cat, half as large as the house pets, with “tom-cat” speaking from every hair of him. “I think mamma’s partial,—she lets sister’s cats come in the house, but not mine.” Clank! Clank! Clank!.

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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “Well, Miss Smith, are you alone here?” “Come here Betty, till I clean yer face. Where is that boy Moses? I know he had a hand in this. Drat him anyhow,” said the incensed Mrs. Wopp. “That’s what I’m hurrying for. Mamma sent me on an errand to Mrs. Black’s and I want to be back at the station in time to see the train come in. I wish we were going to have a refugee. Wasn’t the earthquake awful?”.