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Griffin looked sadly in the direction of the voice. Patricia flung herself on the fur rug that lay before the empty fireplace. "There isn't any more goodness in dismal looks, no, nor half so much, as in happy faces. Don't the cherubim sing eternally? Is there anything said about dark days in the New Jerusalem? I'm ashamed of you, Judith Kendall, for not knowing that it's twice as brave and good to be cheerful and pretty as it is to be moping and dull. Look at Elinor—would we love her if she'd been fussing about the hard times we had? Not much! Every bright smile she had for those horrid times has made her more adorable to me and I look on every bit of happiness we had in those poor days as just so much wrested from the powers of darkness." She stopped suddenly, with a little gasp of embarrassment, as Elinor entered..
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"I know what you mean, now, Miss Pat," she declared loftily. "I've read it in Stevenson's verses, about 'those who … sow gladness in the peopled lands,' Isn't that it, Bruce? I didn't quite understand the way Patricia put it, but I think it's perfectly lovely, really I do." "I don't know anything about the devil-stick. I never saw it; but with regard to the perfume I can explain. I was ill on that night, as you know, and Dido applied some of her negro remedies; among them the perfume with which that handkerchief of my mother's was saturated. It was bound across my forehead to soothe the nerves. During my journey to your house I snatched it off, and--" It was Dido who spoke first. She noticed that the eyes of her mistress constantly strayed in the direction of "Ashantee," and with the jealousy begotten of deep affection, she guessed that the girl's thoughts were fixed upon the much-hated Maurice. At once she spoke reproachfully, and in the grotesque negro dialect, which, however, coming from Dido's mouth, inspired no one with merriment. "Go away, girl," he said in his rudest manner; "don't you see I'm busy?".
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