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After Lucy had done her shopping—and the few articles were to be delivered punctually that afternoon—she walked along High Street, so as to return by the road she had come by. When her steps had brought her abreast of "The Swan," she saw two men standing in conversation in the doorway of that old hostelry. They both bowed low to her, but it might have been noticed that after she had saluted them in return, the fine natural glow of her cheeks slightly deepened and her step appreciably quickened. If her object was to escape these men she must either run, which would not have been seemly, or submit to being overtaken if pursued, which happened in the case of one of them, and within a few minutes a gentleman was walking at her side.,

"Hush," warned Billy. His heart was pounding.,

Her father nodded. "I'll bet a cookie that was Billy's old muzzle loader I heard down in the duck-ponds about daylight," he laughed. "Maybe," he added hopefully, "he'll fetch us a brace of ducks.",

"If the French Flotilla is not in sight," said Captain Acton, "what can be the intention of Mr Tupman rising at this very early hour and getting his brig under weigh? For certainly the Saucy is making a start for something or somewhere. Do you see her sheeting home her canvas, Lucy?"

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She caught her hat from a peg, opened the door, and Ringdo gamboled out before her. Down the path to the gate they sped and out into the tree-hedged road. Already the frost-pinched leaves, crimson-veined and golden, were being swung to earth by a soft wind that promised snow. With Ringdo galloping clumsily beside her Erie went down the road, trilling a snatch of a song.,

"Where are you from?",

The father caught that surprising face of dramatic genius a moment before she composed her features to their natural calm beauty of drooping lid and brooding eye and sweet expression of lip, and the tenderness, the gentleness, the goodness that was her heart's and her soul's, and the foundations of her moral nature.,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.