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Mr Lawrence, with his back turned upon this cabin door, heard Lucy's voice, but not what she said. If Paul answered her his voice was so sunk by the awfulness of her presence, by all that she meant being at sea, by all that she had typified to this forlorn vagrant when on shore, that his accents were inaudible in the cabin. He raised his face at sound of the boy's step. "Ho, Billy!" he called cheerfully. "Is it you?" Once safely out on the road they paused to look back..

"Gone over to Brance Hall, sir."I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was "That was a lovely song you sang about 'Molly darling,' Billy," I said. "Where did you hear it?"

Billy, taking his measure with one fleeting glance, stepped out from the trees. Simultaneously the strange boy rose slowly, head lowered, fists clenched. There was nothing antagonistic in Billy's attitude as he surveyed the new boy with serious grey eyes. That expression had fooled more than one competitor in fistic combat, and it fooled Jim Scroggie now. "He's scared stiff," was the new boy's thought, as he swaggered forward to where Billy stood. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. Mr Lawrence made a step and quickly picked up the knife and drew back again, conscious that the fixed gaze will often awake a slumberer even from deep repose. He stood close to the door viewing this picture of a sleeping girl in a ship's little cabin irradiated by a dim light, whose motions, with the rolling and the pitching of the ship, filled the darkling interior with a hundred dancing spectres. His marine ear would take no heed of the voices of the ship in that cabin, the groans and murmurs, the low whistlings and rusty strainings. This was a concert which his seasoned sense of hearing must miss or overlook in his perception of the picture he viewed. For some time after he had closed his knife and fork he sat at table shading and supporting his forehead with his hand, his elbow resting, and deep thought was in his attitude. To one who knew his story he submitted a picture for memory to cherish. Night was near, though not yet come, but[Pg 299] its shadow was upon the ship, and three or four stars like little balls of quicksilver ran to and fro athwart the gleaming black panes of the skylight glass. The hum of a steady breeze in the stout shrouds, in the cat-harpings, in the drumming hollow of many sails sounded like the strains of an organ muffled to the ear by the walls of the church that holds it. The low thunder of the surge washing past the ship was as constant as its accompaniment of the concert of creakings, jarrings, shocks in bulkhead, rudder-post and strong fastenings..