What was she to do? Drag the woman back to life against her will—lead her back to him to be a chain about his feet until the end? Then leave him to fight the battle alone? “Oh, don’t come the kid,” advised Flossie. “If you don’t mind being talked about yourself, you might think of him. If Carleton gets hold of it, he’s done for.”!

“I did go over it,” he answered. “But it would be rather absurd for just Mary and me.” There are no Victoria Crosses for sinners, or surely little Joan that night would have earned it. It was not lack of imagination that helped her courage. God and she alone, in the darkness. He with all the forces of the Universe behind Him. He armed with His eternal pains and penalties, and eight-year-old Joan: the creature that He had made in His Own Image that He could torture and destroy. Hell yawned beneath her, but it had to be said. Somebody ought to tell Him.

Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. There came a day in early spring. All night long the guns had never ceased. It sounded like the tireless barking of ten thousand giant dogs. Behind the hills, the whole horizon, like a fiery circle, was ringed with flashing light. Shapeless forms, bent beneath burdens, passed in endless procession through the village. Masses of rushing men swept like shadowy phantoms through the fitfully-illumined darkness. Beneath that everlasting barking, Joan would hear, now the piercing wail of a child; now a clap of thunder that for the moment would drown all other sounds, followed by a faint, low, rumbling crash, like the shooting of coals into a cellar. The wounded on their beds lay with wide-open, terrified eyes, moving feverishly from side to side.