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Taking up the hapless heather, she throws it on the ground, and, in a fit of childish spleen, lays her foot upon it and tramples it out of all recognition. Yet, even as she does so, the tears gather in her eyes, and, resting there unshed, transfigure her into a lovely picture that might well be termed "Beauty in Distress." For this faded flower she grieves, as though it were, indeed, a living thing that she has lost. Mona, with a beating heart, but with a courage that gives calmness to her outward actions, closes the window, draws the shutters together, bars them, and then goes back to Geoffrey, who has not moved since Rodney's departure. "I should be all the more faithful: it is then you would feel your need of me," says Mona, simply. Then, as though puzzled, she goes on with a little sigh, "In time perhaps, I shall understand it all, and how other people feel, and—if it will please you, Geoffrey—I shall try to like the girl you call Doatie.".
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Conrad
"You've been reading novels," says Rodney, contemptuously. "Spring comes slowly up this way" "I am not sure that I can tell you,—at least not exactly as she said it," says Mona, with hesitation. "I didn't quite understand her; but Geoffrey asked her how she was enjoying herself, and she said it was 'fun all through;' and that she was amusing herself just then by hiding from her partner, Captain Dunscombe, who was hunting for her 'all over the shop,'—it was 'shop,' she said, wasn't it, Geoff? And that it did her good to see him in a tearing rage, in fact on a regular 'champ,' because it vexed Tricksy Newcombe, whose own particular he was in the way of 'pals.'" "Now I am quite, quite happy," says Mona, and, rising from her knees, she goes back again to Geoffrey, and stands beside him. "Tell them all about last night," she says, looking up at him, "and the secret cupboard.".
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