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"We had a great interest in that book," said Elinor smiling, "for he was compiling it when he boarded with us last summer. I'm glad to hear it is out at last. We'll have to get a copy of it, for old times' sake." "Roberts, the big New York decorator. He's offering a hundred dollars for the best design for a panel for a library—originality to be the chief feature. Popsy Brown told me. I thought it had been announced." "I'm going to take her out with us day after tomorrow—she's not going back to the Academy—and I'm going to get work for her. There's where you can help. She's a good sewer, she says, though she'd rather live with someone and do housework.".
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Conrad
In the hurried words that they exchanged there was a more solid welding of their renewed friendship than the telephone could have accomplished for them in many interviews, and they parted at the end of the allotted five minutes, each with a growing faith in the mercies of that Providence which had led them to a nobler comradeship. But Patricia was impatiently deaf. "Why doesn't he get on?" she whispered testily. "We know all about the conditions of the prize. What we want to know is—oh, Elinor, I'm horribly disappointed. I was afraid Doris Leighton would get it, but you ought to have had Honorable Mention. Griffin's isn't half so good as yours; she said so herself. Can you see what their canvases are like? I'm just so that the light glares on them for me. What's that he's saying now? He's talking about your study." "Because I have just been talking about it with Dr. Etwald." "That may be," rejoined Etwald, taking a seat, "but I can not be sure. You see neither you nor I know anything of the poison which was in the handle of that African instrument. It--".
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