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“Bctcher took orl mornin’ to tittyvate them there carrots,” offered Moses, edging up to Maria with conciliatory glances, and jostling St. Elmo who stood waiting to contribute his donation. The little fellow, whose nose was still “bluggy” from tripping over the saw-horse, dropped his lonely long scraggy carrot on the floor, and in stooping to pick it up struck his head against the handle of a hay-fork and emitted a howl that might have been heard by the heathen themselves in Africa. Betty comforted him with a gum-drop that had lain neglected in her pocket for several weeks, and the cries ceased., The pianist walked on the stage as the eyes of Mrs. Wopp and Moses rested on Betty. Howard Eliot had not taken his gaze from Nell Gordon expecting momentarily to catch her glance and to be rewarded by a smile. A smile radiated her fair face, but alas! It was not for him., The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores..