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"How did it happen?" she asks, presently. "Why on earth," says Nolly, "can't they tell each other, what they have told the world long ago, that they adore each other? It is so jolly senseless, don't you know?" A choking sensation, rising from her heart, almost stops Mona's breath; her mouth feels parched and dry; her eyes widen. A sudden fear oppresses her. How is it going to be in all the future? Is Geoffrey's—her own husband's—mother to be her enemy?.
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"What do you mean, Geoffrey?" demands his mother, with suppressed indignation. "Ah," replied the father, "you see here people who are truly poor. We have no food. For many days the buffalo did not come in sight, and we looked for deer and other animals, which people eat, and when these had all been killed we began to starve. Then I said, 'We will not stay here to die from hunger,' and we set out for the mountains. This is the fourth night of our travels." And then she sings again, some old-world song of love and chivalry that awakes within one a quick longing for a worthier life. Her sweet voice rings through the room, now glad with triumph, now sad with a "lovely melancholy," as the words and music sway her. Her voice is clear and pure and full of pathos! She seems to follow no rule; an "f" here or a "p" there, on the page before her, she heeds not, but sings only as her heart dictates. "Only to return," interrupts he, quickly. "And—to break at your feet? to break one's heart, do you mean? I do not like your simile.".
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